But the storm is also a uniting force: it exposes authentic needs, fears and hopes, and step by step reveals the consequences of political and societal isolation of the countryĪn apocalyptical storm threatens to wipe out an entire country.
It is still calm outside but the cloud hangs over the country like the end of the world.Ĭonceived as a joint project by ten of the most promising Swiss directors, Doomsday also portrays a side of the country’s society in the past few years, shining a light on people, mentalities, and social environments in one of the world’s wealthiest countries.Īs the plot develops, people react very differently to the impending storm: some ignore it, others barricade themselves, others even celebrate the end of the world. the Punk Marauders to drive in a car chase sequence at the end of the film. Its origin is a mystery to the experts, who merely state that it is growing continuously, and its unloading is only a matter of time. Director Neil Marshall, Producers Benedict Carver & Steven Paul. Suddenly an inexplicable and frightening cloud is over the country. It is autumn and getting colder in Switzerland. Eurochannel premieres Doomsday, an innovative yet harrowing take on the end of the world! Ten directors from a new generation of filmmakers imagine how the Swiss would deal with the worst possible disaster: the downfall of their country.
#DOOMSDAY MOVIE MOVIE#
It's hard to call such a movie derivative when there's such obvious respect and affection for its sources, and it makes recommendations easy: If you liked any of the aforementioned movies, there's a good chance you'll like this.Doomsday (Switzerland, 2015) by Eurochannelĭirector: Lisa Blatter, Gregor Frei, Benny JabergĬast: Joachim Aeschlimann, Luna Arzoni, Nicolas BachmannĪ hurricane of catastrophic proportions is brewing over Switzerland. Still, Marshall delivers what he promises and Mitri makes for a cool, kick-arse heroine in the Ellen Ripley mold. The film's bizarre sense of humor – which doesn't always hit the mark – is something new. No one who's seen THE DESCENT or Marshall's debut, DOG SOLDIERS, will be surprised by the high-level of gore on display: Severed heads and hands fly in all directions, bodies gets smeared across highways during high-speed chase sequences and one unlucky bastard gets barbequed. Much to Sinclair's surprise, the expedition is outfitted with tanks, grenades and heavy duty ordinance: Whatever lives behind the iron wall is still angry and no longer quite civilized. Sterling (Sean Pertwee) and Talbot (Darren Morfitt) - a two-man medical task force who were studying the virus before their funding dried up - and a small military squad led by Sergeant Norton (Adrian Lester).
Accompanying her into this toxic no-man's land will be Drs. Nelson knows just the person for the job: DDS's own Major Eden Sinclair (Rhona Mitra), a Scot whose mother managed to smuggle her out of the country with the fast retreating troops, and who grew up with a serious chip on her shoulder. toys from Walmart and get a 10 reward towards a movie ticket to Transformers: Rise of The Beasts or a Walmart eGift Card.
Kane's research and possibly even a survivor. Now the Crown needs someone to lead a team back across the rubicon and retrieve Dr. Kane (Malcolm McDowell) was working on in a fortified Glasgow hospital before he, too, presumably fell victim to the disease. If there are survivors, there must be a cure, possibly the antidote Dr. Three years ago, Canaris tells him, a satellite picked up images of survivors on the streets of Glasgow: The British government sat on the information knowing it would only prompt further condemnation for leaving millions of people to die. Prime Minister Hatcher (Alexander Siddig) declares a state of emergency, the city is quarantined and Hatcher's right hand, Michael Canaris (David O'Hara), calls in DDS chief Bill Nelson (Bob Hoskins) for a top-secret meeting.
#DOOMSDAY MOVIE FULL#
Shunned by the rest of the world in the wake of the Scottish horror, England is already on the verge of collapse when, during a routine drug bust, a team from the Department of Domestic Security finds a room full of Reaper victims deep in the heart of London. Now, however, it seems the disease has come home to roost. 27 years ago, the incurable Reaper virus decimated the population of Glasgow, prompting the English government to build a 30-foot armored security wall across Britain and leave their neighbors to the north to die horribly of disease or starvation amid total anarchy. Set to songs by Adam and the Ants, Siouxie and the Banshees and Frankie Goes to Hollywood, it's a total 80's rewind. Neil Marshall's eagerly anticipated (at least by horror geeks) follow-up to his intense THE DESCENT is an ambitious homage to the violent fantasy adventures of another era, post-apocalyptic epics like ROAD WARRIOR, ESCAPE FROM NEW YORK, DEAD END DRIVE-IN, THE BLOOD OF HEROES and their innumerable clones, as well as Medieval bash-'em-ups like FLESH + BLOOD.
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